Bloomsday Toronto

 

 

 

 


 

A Brief History of the Company

1984-2001

Anna Livia Productions was founded in 1984 by Mary Durkan & Judith McGilligan in order to produce I DO NOT LIKE THEE, DR. FELL by Bernard Farrell. It was a financial and critical success and gave one the misguided idea that producing shows was actually a good idea, great fun and a way to make money. The later production of a one-man show THE IMPORTANCE OF BEING OSCAR by Michael MacLiammoir — before the current renaissance of interest in Oscar Wilde — severely challenged that assumption

A later production of BAGLADY, a one-woman show by Frank McGuinness, had a short but very successful run at THE GATHERING Festival. And this renewed one’s faith in the madness of producing theatre.

Anna Livia Productions’ original intention got shanghied by the creation of the Toronto BLOOMSDAY FESTIVAL in 1986. I had seen a really inspiring BLOOMSDAY celebration in New York in 1985 and came back to Toronto full of messianic zeal and ready to create our own unique BLOOMSDAY. Of course any celebration was intended to be just a once-off event but this plan went obviously awry.

  • The Toronto BLOOMSDAY FESTIVAL has had many incarnations in its thirteen-year history — stylistically it’s been everything from short readings on a beach to week-long, full-length, operatic-scale shows complete with huge casts of actors, singers, musicians, and dancers. In 1988, the highlight was a performance of JOYICITY by Vincent O’Neill, a show which had been the hit of the Dublin Theatre Festival and the Edinburgh Fringe Festival.
  • Audience size, depending on venue, has been anywhere from a handful of enthusiasts lapping up Molly Bloom’s reflections on life and love to five hundred people enraptured by a fully dramatised scene with actors, singers and musicians, recreating the richness of the characters and life in the city Leopold Bloom encountered in Ulysses.

 

Some of the Bloomsday Festival Highlights have been:

  • being invited to be one of eighteen cities around the world participating in a world-wide Internet reading of ULYSSES in 1999. We recorded from the McLuhan Centre, an appropriate setting for a truly "global village" experience. To feel so connected to cities around the world from Melbourne to San Francisco was really exciting. We read from Chapter 11, Circe (the Nighttown section), after Washington and before Mexico City. Our regular cast of "Bloomers" were joined by Colm Wilkinson reading as Malachy Mulligan.
  • receiving a fax from the Canadian Ambassador to Ireland in recognition of Toronto’s having been selected to participate in the 1998 JAMESON GLOBAL BLOOMSDAY Internet reading.
  • co-hosting the very successful INTERNATIONAL JOYCE CONFERENCE in 1997 at Victoria College, UofT which was attended by hundreds of delegates from around the world
  • receiving letters of congratulations on our 10th anniversary from the Irish President, Mary Robinson who had recently visited Toronto, and the Lord Mayor of Dublin in recognition of our achievement in connecting the cities of Dublin and Toronto.

 

Some of the venues have been:

Hart House Theatre; Bathurst Street Theatre; Trinity St. Paul’s

The Great Hall/Music Gallery; The Rivoli; U of T Bookstore

Art Gallery of Ontario; Jackman Theatre; Innis College

Allen’s on the Danforth; Quigley’s on Queen East; Zydeco’s on Markham

St. Lawrence Hall; An Seomra Mor at Fionn MacCool’s; the Beaches.

The Mockingbird

 

 

Mary Durkan

  Festival Director