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Gharana is used in Hindi and Urdu to refer to the core component in
the organizational structure of North Indian (or Hindustani) music and
dance, in other words a family of hereditary occupational specialists.
Traditionally the gharana is headed by an authoritative musician-teacher
called the Khalifa, and comprises members related by blood and/or musical
knowledge (talim).
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Toronto is home to a number of
performing artists, scholars, voluntary organizations, and amateur
enthusiasts whose lives are dedicated to performing, teaching, promoting,
sponsoring, collecting, studying, and researching North Indian music and
dance. The use of "Gharana" with Toronto reflects a non-traditional and
somewhat playful allusion to the original meaning, and we think it hints
at the possible shape of things to come in the continual evolution of
Hindustani music outside India.
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The various
members of the Toronto Gharana meet regularly to practise, listen,
discuss, theorize, teach, organize house concerts (baithaks), and
generally indulge in Indian culture. They have received talim from some of
the greatest musicians and dancers of this century. These include:
Ustad Afaq Hussein, Ustad Ali Akbar Khan, Pandit Chitresh Das,
Pandit Nikhil Banerjee, Ustad R. Fahimuddin Dagar. Pandit Ram
Narayan, Pandit Shankar Ghosh, Ustad Shujaat Khan, Pandit
Swapan Chaudhuri, Ustad Yunus Hussain Khan Ustad Z. M.
Dagar, Ustad Zakir Hussain.
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We hope to
make available here useful information on Hindustani music and the people
who keep this ancient art alive. It is clearly not possible to treat all
aspects of Hindustani music here so we have chosen to keep the focus
personal and concentrate on the artists and music that have touched us
directly.
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