These are 15th-c Italian dances where more than one dance was created to the same tune.

Caveat
The sources for Renaissance dance are ratehr vague, having been created for people who were already at least partially familiar with the dance form. This is especially true for the 15th-century Italian dances, where the steps are often not described at all, and the choreographies for specific dances often vary in different manuscripts. There was probably considerable regional variation, and improvisation was admired, so there was not, even at that time, one, immutable, way of performing these dances. Because of this, modern reconstructions show considerable diversity, and the steps, dances and styling will probably be taught at least slightly differently by any teacher, or even by the same teacher at a later date. Also, the same or similar step names were often used for steps that were performed differently in different repertoires.

Balli -

The following reconstructions are all by V. Stephens (SCA = Rosina del Bosco Chiaro) unless otherwise specified. Links are to write ups of the dance, either on these pages, or from Joy and Jealousy. If the write up is on these pages, I've noted which recording were used there, otherwise I include that here.

• Rostiboli Gioioso - May have used the Mesura et Arte or Alta Danza recording in class.
• Gioioso in 3 (the 3 person version of Rostiboli),

• Leoncello - May have used the Mesura et Arte or Alta Danza recording in class.
• Leoncello Novo, the version for 3.

• Belreguardo - Domenico's version for 2 dancers. Use the Sonare et Balare recording in class.
• Belreguardo Nuovo (for 2). The new version for 2. There is also a version for 3 not taught in this class.

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